During the mid-Victorian period there became an increasing awareness
concerning the concept of mental illness. Inhumane, cruel treatments which were
previously seen as the only way to cure 'lunacy' were being eradicated. It was
in some ways, a time of enlightenment, where moral treatments became the way
forward and traditional torturing methods began to disappear from institutions such
as 'lunatic' asylums. A significant number of asylums were built during the 19th
century to shelter the increasing number of people labelled ‘mad’ by society,
therefore mental illness can be seen as an increasingly large part of Victorian
culture.
Since the previously taboo concept of mental illness now began
to dominate a large part of Victorian life, it is no wonder that many writers
during this period felt drawn to creating characters suffering from some type
of mental disturbance. For example in Elizabeth Gaskell’s novel Mary Barton (1848).
Mary Barton
What led me on to first thinking about the concept of mental
illness was the character John Barton. In the second half of the novel, John
starts exhibiting signs of severe mental distress. We, as today’s readers, can
see that John is mentally ill. The cause of which being his guilt at becoming a
murderer. Gaskell describes John’s evident lack of mental and physical energy
as “retreat[ing] inwards…there to do
battle against the Destroyer, Conscience” (354). Therefore she is implying
that his mental equilibrium has collapsed because of how guilty he feels in
consequence of committing such a dreadful crime. This powerful battle of
emotion has overwhelmed John and left him defeated and in medical terms,
depressed. Gaskell then proceeds to portray some general physical symptoms of
depression, by stating that “He had
answered her questions…by monosyllables, and…Mary heard [his] groans of agony”
(356). The emphasis placed on John who was very visibly suffering from depression,
which was caused indirectly from his being heartbreakingly poor, implies the prominence
of mental illness during the 1800’s, when such a large proportion of the
British population were suffering from poverty.
Asylum - “A benevolent institution affording shelter and support to some class
of the afflicted, the unfortunate, or destitute; e.g.
an asylum for the mentally ill (formerly ‘lunatic asylum’), to which the term
is sometimes popularly restricted.” (OED)
This definition is of an extremely ironic nature when
considering the fact that the asylums I am about to discuss were in no way
“benevolent” for the majority of the 1800’s. That is unless you count being
restrained by leather and metal manacles and beaten if you didn’t comply with
the asylum wardens’ orders, benevolent actions.
Heritage, J. Broadmoor Asylum
Broadmoor
On channel 5 a couple of months ago, I watched a documentary
called Inside Broadmoor which delved
into the history of the famous mental asylum and looked
at how the inmates came to be placed in such a terrible place. One particularly striking case
was that of the Oaks family, where the husband and wife “poisoned their son and tried to commit suicide” (Inside Broadmoor) so were court ordered
to reside the rest of their lives in Broadmoor mental asylum. However, the
reason that “they were not hanged for these
crimes” (Inside Broadmoor) was because
insanity caused by the extreme social issue of poverty, was a recognised cause
for insanity during the Victorian period.
The moment in this documentary when poverty is discussed in
relation to insanity can be seen at 23:40.
http://www.channel5.com/shows/inside-broadmoor-2013/episodes/episode-1-560
Bethlem
Royal Hospital/ Bedlam. http://www.bethlemheritage.org.uk/explorebethlem/
Hudson, K. Photo of the Imperial War Museum/Bedlam
Bedlam
Another
prominent mental institution seen during the Victorian period was that of the
Bethlem Royal Hospital, better known as Bedlam. Although this hospital has
since been moved to its present location in Beckenham, the central building of the
old Bedlam asylum now houses artefacts for the Imperial War Museum in London. The Bethlem Royal Hospital was housed in this
building from 1815 to 1930.
Bedlam was, and still is, one of the most famous ‘lunatic
asylums’ in Britain. It was one of the first public asylums to be created,
because previously the mentally ill, if wealthy enough, were confined to
private ‘madhouses’. Therefore the change from private to public confinement
may be a representation of society’s changing views on insanity. Madness had
not become an acceptable or tolerated form of behaviour, yet it was beginning
to be better understood and classed as a legitimate illness.
Treatments of
insanity
Early 1800’s:
The Asylums,
although being improved during the 19th Century, were still prison
like in their regimes and treatments. Many patients were subjected to violence
by the hands of the wardens, or more commonly were stopped committing harm to
themselves or others, by being manacled or restrained in some way. These
medieval techniques, which seem very brutal, were a large part of control in
asylums, especially before the concept of ‘moral treatment’ was introduced.
Replica of an iron wrist restrainer, England, 1850-1920 Replica
of a 19th-century restraint harness, England, 1930-1940
The two images here
are just a couple of the many mechanical restraints designed for the purpose of
subduing raving patients who were likely to cause physical harm. We have to
remember though at this point there was no notion of anti-psychotic drugs to
control patient’s symptoms; therefore from their perspective physical control
was the best way of dealing with patients in the absence of a dependable
treatment.
A personal case
of physical restraint that lasted for an agonizingly long period and which
caused major asylum reform was that of James Norris. This man’s unjust
suffering in Bedlam, where he was chained up by himself for over ten years “was instrumental in the creation of the
Mad House Act of 1828, which sought to license and regulate asylums for the
insane, and to improve the treatment of the insane.” (Mathew, L. James
Norris – An insane American)
Mathew, L. James Norris - An insane American
Such improvements were:
- Large, open recreation grounds
- Moral Treatment (non-physical) instead of using mechanical restraints
- Partitions removed that divided male and female patients
Late 1800’s/ Early 1900’s:
By the end of the
1800’s, asylums were becoming seriously overcrowded and less and less patients
were being released back into the community. Old fashioned treatments such as
straitjackets and solitary confinement were being reintroduced. This was a
staggering step back in the progressive attitudes previously expressed by
Victorians towards mental illness. Jan Marsh explains that asylums were
“Regarded at the
time as progressive and humane [but] now seem almost as cruel as the earlier
punitive regimes. By the end of the era therapeutic hopes of restoring patients
to sanity were largely replaced by programmes of control, where best practice
was judged by inmates' docility.” (V&A)
The British Medical Journal states that “The present building [of the Bethlem Royal Hospital] was erected over
a century ago, when the idea was to provide an institution for the care and
maintenance of insane persons. Now large grounds with facilities for recreation
and occupation have come to be considered necessary for the treatment of mental
disorders” (849). Therefore the change from a prison like institution,
which did not permit freedom to any of the patients, to a larger facility which
allows some form of enjoyment, suggests that views on mental illness had
greatly changed during the 19th century. This is most probably due
to the fact that with so many asylums being built; Doctors could observe and
better understand mentally ill patients. Stigmas, which previously blinded
society to the pain suffered by the mentally ill, were slowly being removed by
the scientific evidence produced by such observations. Doctors realised that to
improve mental health, you had to be physically healthy as well, therefore
exercise and recreation was a necessary step in order to treat patients.
The Woman in White
A novel, whose entire plot centres around the theme of
madness and asylums, is Wilkie Collins’ The
Woman in White (1859). This novel, which we will be studying next term,
begins with a woman “dressed from head
to foot in white garments” (15) escaping from an asylum in Hampshire. I do
not want to spoil the mysterious twists which occur in this novel, but mental
illness is a key theme which is constantly present.
On
a visit to the Tate Britain I saw this amazing painting of The Woman in White. What I found particularly
interesting was Walker’s presentation of the moment where Anne escapes from the
mental asylum that she has so cruelly and unfairly been trapped in. The
juxtaposition of the confinement of the asylum with freedom and nature, illustrated
by the starry sky, emphasises the horrors patients in asylums were subjected
to, particularly at the beginning of the Victorian period, when torturing
equipment was used to subdue enlivened patients.
The narrator remarks that Laura whilst being in the asylum
had been “under restraint…her sanity,
from first to last, practically denied…Faculties less delicately balanced…must
have suffered under such an ordeal as this. No man could have gone through it,
and come out of it unchanged.” (386)
The fact that Collins states that “No man” (386) , who would have had less
delicate sensibilities than a woman, could remain the same after being in an
asylum, implies just how terrifying they truly were, especially if you were
confined under false pretences. If you did not go in mad, you would certainly
come out so.
Walker, F. The Woman in White (1871) Tate Britain.
Bedlam and other asylums have left a great impression on
today’s society. This can be seen particularly through the word bedlam itself
which has become a figurative adjective that describes “A
scene of mad confusion or uproar” (OED).
Just as the Bethlem Royal Hospital itself has adapted and changed throughout
the years, the word Bedlam has too.
Works Cited
·
Channel 5. “Inside Broadmoor”. Online video
clip. Demand 5. Channel 5, 30
September 2013. Web. 20 November 2013.
· Collins, W. The
Woman in White. London: Marshall Cavendish Ltd, 1987.
· Gaskell, E. Mary
Barton. London: Penguin Group, 1848.
· Heritage, J. Broadmoor
Hospital Archives. Berkshire Family Historian, 24 June 2002.
Web. 23 November 2013. <https://www.google.co.uk/search?hl=en&site=imghp&tbm=isch&source=hp&biw=1301&bih=528&q=broadmoor+mental+asylum&oq=broadmoor+mental+&gs_l=img.3.1.0l3j0i24l7.3310.10024.0.12521.19.13.0.6.6.1.249.1599.4j7j2.13.0....0...1ac.1.32.img..4.15.1096.2otH2mZWF1U#facrc=_&imgdii=_&imgrc=Yt_6eAycIPK1yM%3A%3B_QLRmDTFFMYNmM%3Bhttp%253A%252F%252Fberksfhs.org.uk%252Fjournal%252FJun2002%252Fjun2002images%252FBroadmoorOldGate.jpg%3Bhttp%253A%252F%252Fberksfhs.org.uk%252Fjournal%252FJun2002%252Fjun2002BroadmoorHospitalArchives.htm%3B500%3B282>
·
Hudson, K. “An American Monster Geek in London”. Blogspot. September 2011. Web. 23
November 2013. <http://kevfx.blogspot.co.uk/2011_09_01_archive.html>
· Marsh, J. “Health & Medicine in the 19th
Century”. Web. 20 November 2013. <http://www.vam.ac.uk/content/articles/h/health-and-medicine-in-the-19th-century/>
·
Mathew, L. “James Norris – an insane American”. Bodleian Library, University of Oxford:
Curator’s choice, 2008. Web. 23 November 2013. <http://johnjohnson.wordpress.com/2008/09/18/william-norris-%E2%80%93-an-insane-american/>
·
Science Museum. “Mental Health and Illness”.
Web. 22 November 2013. <http://www.sciencemuseum.org.uk/broughttolife/themes/menalhealthandillness.aspx>
· The British Medical Journal. “Bethlem Royal
Hospital”. The British Medical Journal.
Vol.1 No 3461 (1927): 849.
· Walker, F. The
Woman in White. 1871. Tate Britain, London. Tate. Web. 20 November 2013.
- Whittaker, R. Explore Bethlem: inside a nineteenth-century psychiatric hospital. Bethlem Royal Hospital, Archives & Museum. <http://www.bethlemheritage.org.uk/explorebethlem/>Web. 20 November 2013.
When reading this, I really agreed with what you said about Victorian writers wanting to create characters with mental disturbances. It really makes sense with Wuthering Heights that Emily Bronte's characters are/ or all share some form of a mental disturbance. This is shown especially within Heathcliff's/ Catherine's characterisation. Very informative post, :)
ReplyDeleteIt is interesting to see how the treatment of the mentally ill has developed during the Victorian Era. The photographs of the restraints are a great example of how patients were treated. Mental health is a very interesting topic as even in today's society there remains stereotypes and stigma attached to the label. I hadn't considered the role of mental illness in the novels we have studied, Amra's point about mental disturbance in Wuthering Heights explains a lot about the characters and perhaps the Brontes'!
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