Nineteenth century literature with explicit homosexual
content proves almost non-existent; a possible consequence of the laws of the
time regarding same-sex relationships. Many texts however, have evidence of an
underlying homosexual presence persistent through mainstream fiction. The early
Victorian period labelled homosexual activity as a crime and a sin. The
Victoria and Albert Museum explain in their ‘Sex & Sexuality in the 19th
Century’ collection that ‘private male homosexual acts were not explicitly and
severely legislated against until 1885, when gay sex behind closed doors was
made a criminal offence’. This piece of legislation led, famously and scandalously,
to the imprisonment of Oscar Wilde in 1896.
During Oscar Wilde’s trial it is reported that a Mr. C. F. Gill
questioned Wilde about a poem Lord Alfred Douglas (the man which Wilde was
being prosecuted for having a homosexual relationship with) had written named
‘Two Loves’:
"'Sweet youth,
Tell me why, sad and
sighing, dost thou rove
These pleasant realms? I pray thee tell me sooth,
What is thy name?' He
said, 'My name is Love,'
Then straight the
first did turn himself to me,
And cried, 'He lieth,
for his name is Shame.
But I am Love, and I
was wont to be
Alone in this fair
garden, till he came
Unasked by night; I
am true Love, I fill
The hearts of boy and
girl with mutual flame.'
Then sighing said the
other, 'Have thy will,
I am the Love that
dare not speak its name'."
What is the
"Love that dare not speak its name"?
After Gill questioned Wilde about the meaning of the poem, asking
whether it refers to natural or unnatural love Wilde replied ‘The “Love that
dare not speak its name" in this century is such a great affection of an
elder for a younger man, such as Plato made the very basis of his philosophy,
and such as you find in the sonnets of Michelangelo and Shakespeare. It is that
deep, spiritual affection that is as pure as it is perfect. It is in this
century misunderstood, so much misunderstood that it may be described as the
"Love that dare not speak its name," and on account of it I am placed
where I am now. It is beautiful, it is fine, and it is the noblest form of
affection. There is nothing unnatural
about it. The world mocks at it and sometimes puts one in the pillory for it’.
This idea of affection of an elder man for a younger
man that Wilde discusses can be interpreted as a parallel of the artist Basil
Hallward’s affections for the younger Dorian; Basil claiming Dorian to be “all
[his] art” now.
Oscar Wilde was sentenced for two years hard labour under
homosexual gross indecency whereas an offender convicted of ‘attempted sodomy’ could
receive up to ten years. These enforced punishments were a main reason for the
silence concerning same-sex relationships within literature from the period.
Writers would instead turn to motifs and metaphors as a form of expressing
sexuality within texts; it is from this notion that one will begin looking
closer and reading deeper into an author’s writing – searching for any
homosexual connotations. With Regards to Oscar Wilde’s writing, many scholars
have since pointed to The Picture of
Dorian Gray as a gateway into Wilde’s sexuality due to the suggestive
statements of homoeroticism.
The novella was originally criticised at the time as 'a tale
spawned from the leprous literature of the French Decadents – a poisonous book,
the atmosphere of which is heavy with the mephitic odours of moral and
spiritual putrefaction’. This caused Wilde’s editor, JM Stoddart, to delete
passages depicting the artist Basil Hallward’s admiration for Dorian Gray.
Secrecy and shame are prominent issues
throughout A Picture of Dorian Gray, reflective
of the homosexual scene during the Victorian Period – everything was hidden and
everything thing that was said had a subtext. Wilde describes how ‘every
impulse that we strive to strangle broods in the mind and poisons us. The body
sins once, and has done with its sin, for action is a mode of purification. Nothing
remains then but the recollection of a pleasure, or the luxury of a regret. The
only way to get rid of a temptation is to yield to it. Resist it, and your soul
grows sick with longing for the things it has forbidden to itself, with desire
for what its monstrous laws have made monstrous and unlawful.’ Although Wilde
doesn’t come forward and out rightly state it, there is an obvious ‘forbidden’
desire one can assume he is referring to. This desire was not only made to be
‘monstrous and unlawful’ by one’s soul however, as Wilde describes, but by the
actual nineteenth century government.
Just like the tragic protagonist, Oscar Wilde was concealing
a dark secret about himself. This poses the question, whether or not Wilde had
intended for the parallel of Gray keeping his portrait covered up and hidden
from public view to how homosexuality was kept quiet at the time. Dorian Gray
appears entranced by his portrait at first, until the realisation dawn on him
that the current state of beauty he possesses will soon be taken away from him.
He then prays that the picture will bear the corruption instead of himself. Being
a homosexual was seen as a corruption to society at the time that Oscar Wilde
was writing, therefore using it as a metaphor to describe what homosexual men
wished to keep hidden during the nineteenth century.
Wilde left prison in 1897, physically and mentally exhausted
with no money. He chose to find exile in France where he reunited with Lord Alfred
Douglas before passing away in 1900 – aged 46. His infamous imprisonment and documented
exuberant personality has led to his literary works being praised as
revolutionary centuries after being written.
Bibliography.
"The Criminal Trials of Oscar Wilde: Trial
Transcripts." The Criminal Trials of Oscar Wilde: Trial Transcripts. N.p.,
n.d. Web. 17 Nov. 2014. http://law2.umkc.edu/faculty/projects/ftrials/wilde/Wildecriminaltranscript.html
"Sex & Sexuality in the 19th Century."
Victoria and Albert Museum, Online Museum, Web Team, Webmaster@vam.ac.uk. N.p.,
n.d. Web. 17 Nov. 2014. http://www.vam.ac.uk/content/articles/s/sex-and-sexuality-19th-century/
THE OSCAR WILDE TRIAL. Manchester Times (Manchester,
England), Friday, May 3, 1895; Issue 1969. http://find.galegroup.com/bncn/retrieve.do?sgHitCountType=None&sort=DateAscend&prodId=BNWS&tabID=T012&subjectParam=Locale%2528en%252C%252C%2529%253AFQE%253D%2528tx%252CNone%252C17%2529oscar%2Bwilde%2Btrial%253AAnd%253ALQE%253D%2528ML%252CNone%252C8%2529%2522Bln1%257C%2522*%2524&resultListType=RESULT_LIST&searchId=R2&displaySubject=&searchType=BasicSearchForm¤tPosition=8&qrySerId=Locale%28en%2C%2C%29%3AFQE%3D%28tx%2CNone%2C17%29oscar+wilde+trial%3AAnd%3ALQE%3D%28ML%2CNone%2C8%29%22Bln1%7C%22*%24&retrieveFormat=MULTIPAGE_DOCUMENT&subjectAction=DISPLAY_SUBJECTS&inPS=true&userGroupName=roe_ttda&sgCurrentPosition=0&contentSet=LTO&&docId=&docLevel=FASCIMILE&workId=&relevancePageBatch=Y3206498236&contentSet=UBER2&callistoContentSet=UBER2&docPage=article&hilite=y
Closing Scene. Digital image. Police News, n.d. Web
"Oscar Wilde." Bio. A&E Television Networks,
2014. Web. 18 Nov. 2014.
I really enjoyed reading this Lizzie, I now know a lot more about the life of Wilde, and I found the parallels you made with Wilde and Gray really insightful. Thanks!
ReplyDeleteThis was really interesting, Lizzie. I loved reading about Oscar Wilde in depth, thank you.
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